The
Tamil Sangams were legendary assemblies of Tamil scholars and poets that, according to traditional Tamil accounts, occurred in the remote past. Three assemblies are described, the first two of which were held in cities since "taken by the sea", and the third of which was held during the 4th century BCE in the present-day city of
Madurai.
The
Sangam period extended from roughly 300 BCE to 300 CE, when the earliest extant works of
Tamil literature were created (also known as
Sangam literature).
[Kamil Veith Zvelebil, Companion Studies to the History of Tamil Literature, pp12] However, the name
Sangam and the associated legends probably derive from a much later period.
Whilst the legendary accounts are generally rejected as ahistorical, some modern scholars, such as
Kamil Zvelebil, find a kernel of truth in them, suggesting that they may be based on one or more actual historical assemblies. Others reject the entire notion as a fabrication.
[ "The facts mentioned above have persuaded some scholars to consider that everything about the Sangam found in that commentary is a fabrication. But the more sober view of the matter seems to be to accept the main framework of the traditional account... In this there can be no historical impossibility. The legendary and supernatural frills provided by that commentary can of course be rejected." ] Nevertheless, legends of the Sangams played a significant role in inspiring political, social, and literary movements in
Tamil Nadu in the early 20th century.
Sangam legends
Early literature from the pre-
Pallava dynasty period does not contain any mention of the Sangam academies, although some early poems imply a connection between the city of Madurai, which later legends associate with the third Sangam, and Tamil literature and the cultivation of the language. The earliest express references to the academies are found in the songs of
Appar and
Sampandar, Shaivite poets who lived in the 7th century. The first full account of the legend is found in a commentary to the
Iraiyanar Akapporul by Nakkīrar (c. seventh/eighth century CE). Nakkīrar describes three "Sangams" (
caṅkam) spanning thousands of years. The first Sangam (
mutaṟcaṅkam) is described as having been held at "the Madurai which was submerged by the sea", lasted a total of 4440 years, and had 549 members, which supposedly included some gods of the
Hindu pantheon such as
Siva,
Kubera and
Murugan. A total of 4449 poets are described as having composed songs for this Sangam.
The second Sangam (
iṭaicaṅkam) was convened in
Kapatapuram. This Sangam lasted for 3700 years and had fifty-nine members, with 3700 poets participating. This city was also submerged in sea. The third Sangam (
kaṭaicaṅkam) was purportedly located in the current city of
Madurai and lasted for 1850 years under 49 kings. The academy had 49 members, and 449 poets are described as having participated in the Sangam..

Late legends say that the third Sangam was held on the banks of the sacred Pond of Golden Lotuses in Madurai
There are a number of other isolated references to the legend of academies at Madurai scattered through Shaivite and Vaishnavite devotional literature throughout later literature. The next substantive references to the legend of the academies, however, appear in two significantly later works, namely, the
Thiruvilaiyadal Puranam of Perumpaṟṟapuliyūr Nambi, and the better-known work of the same title by Paranjothi Munivar. These works describe a legend that deals mostly with the third Sangam at Madurai, and is so substantially different from that set out in Nakkirar's commentary that some authors such as Zvelebil speculate that it may be based on a different, and somewhat independent, tradition. In Nambi's account, the 49 members of the third Sangam led by Kapilar, Paraṇar and Nakkīrar were great devotees of
Shiva, numbered amongst the 63
nayanars. Nakkirar himself is said to have later headed the Sangam, and to have debated
Shiva. The Sangam is described as having been held on the banks of the Pond of Golden Lotuses in the
Meenakshi-Sundaresvarar Temple in Madurai.
In contemporary versions of the legend, the cities where the first two Sangams were held are said to have been located on
Kumari Kandam, a fabled lost continent that is described as the cradle of
Tamil culture. Kumari Kandam supposedly lay south of present-day
Kanyakumari District and, according to these legends, was seized by the sea in a series of catastrophic floods.
Historicity
There has been almost no comprehensive archaeological or scientific research done into the legends of the supposed earlier literary academies. From the very little available archaeological and epigraphic evidence, the earliest Tamil kingdoms may have been established only in the 5th century BCE, long after the earlier two Sangams were supposed to have been held.
Some scholars, such as
Kamil Zvelebil, take the view that assemblies may have been founded and patronised by the Pandian kings and functioning in three different capitals consecutively till the last sangam was set up in
Madurai. Zvelebil argues that the appearance of the tradition in literary and epigraphical sources means that it cannot be dismissed as pure fiction. He suggests that the Sangam legends are based on a historical "body of scholiasts and grammarians 'sits' as a norm-giving, critical college of literary experts, and shifts its seat according to the geopolitical conditions of the Pantiyan kingdom."
In 470 CE, a
Dravida Sangha was established in
Madurai by a Jain named Vajranandi.
[Kamil V. Zvelebil: The Smile of Murugan p.48] During that time the Tamil region was ruled by the
Kalabhras dynasty. The Kalabhra rulers were followers of either
Buddhism or
Jainism. The
Dravida Sangha took much interest in the Tamil language and literature.
Jain cosmology and mythology are mentioned in early Sangam works, and Jain surnames are found amongst the early poets.
Sangam literature
The earliest extant works of
Tamil literature date back to the period between 300 BCE and 200 CE and deal with love, war, governance, trade and bereavement. The literature of this period has been referred to as
The Sangam literature and the period in which these works were composed is referred to as the
Sangam period, alluding to the legends.
Although the term
Sangam literature is applied to the corpus of the earliest known Tamil literature, the name
Sangam and the legend were probably from a much later period.
An accurate chronological assessment of literary works has been rendered difficult due to lack of concrete scientific evidence to support conflicting claims. Undue reliance on the Sangam legends has thus culminated in controversial opinions or interpretations among scholars, confusion in the dates, names of authors, and doubts of even their existence in some cases. The earliest archaeological evidence connecting Madurai and the Sangams is the 10th century
Cinnamanur inscription of the
Pandyas.
See also