Richard Rodriguez (born
1944) is an
American writer who became famous for his book,
Hunger of Memory: The Education of Richard Rodriguez, a narrative about his intellectual development.
Early life
Richard Rodriguez was born July 31, 1944 into a
Mexican immigrant family in
San Francisco, California. Rodriguez spoke Spanish until he went to a Catholic school at age six. As a youth in
Sacramento, California, he delivered newspapers and worked as a
gardener. He attended Don Bosco High School.
Career
Rodriguez received a B.A. from
Stanford University, an M.A. from
Columbia University, was a Ph.D. candidate in English Renaissance literature at the
University of California, Berkeley, and attended the
Warburg Institute in London on a
Fulbright fellowship. A noted prose stylist, Rodriguez has worked as a
teacher, international
journalist, and educational consultant, in addition to writing, lecturing and appearing regularly on the
PBS program,
The NewsHour with Jim Lehrer, for which he received the 1997
George Foster Peabody Award. Rodriguez’s books include
Hunger of Memory: The Education of Richard Rodriguez (1981), a collection of autobiographical essays;
Mexico’s Children (1990);
Days of Obligation: An Argument With My Mexican Father (1992), which was nominated for the
Pulitzer Prize; and
Brown: The Last Discovery of America. In addition, he has been published in
The American Scholar,
Change,
College English,
Harper's Magazine,
Mother Jones, and
Time.
Instead of pursuing a career in academia, Rodriguez suddenly decided to freelance write and have other temporary jobs. His first book,
Hunger of Memory: The Education of Richard Rodriguez, was published in 1981. It was an account of his journey from being a "socially disadvantaged child" to becoming a fully assimilated American, from the Spanish-speaking world of his family to the wider, presumably freer, public world of English. But the journey was not without costs: his American identity was only achieved after a painful separation from his past, his family, and his culture. "Americans like to talk about the importance of family values," says Rodriguez. "But America isn't a country of family values; Mexico is a country of family values. This is a country of people who leave home."
While the book received widespread critical acclaim and won several literary awards, it also stirred resentment because of Rodriguez's strong stands against bilingual education and affirmative action. Some Mexican Americans called him pocho — traitor — accusing him of betraying himself and his people. Others called him a "coconut" — brown on the outside, white on the inside. He calls himself "a comic victim of two cultures."
Personal life
Rodriguez
came out in his book of essays,
Days of Obligation.
This caused some readers and critics, especially Latinos, to be less willing to be critical of his ideas.
Political and social implications of his writing
In his highly acclaimed autobiography,
Hunger of Memory, Rodriguez offers readers a glimpse of his journey through California’s education system as a Latino student of working-class, immigrant parents. His viewpoints were at once controversial and ignited a national debate. Rodriguez eventually rose to become the ‘poster child’ of a movement in the 1980s that sought to seriously question the efficacy and rationale of both Affirmative Action and Bilingual education in American education. At the same time, Rodriguez continued to assert his Latino identity by stigmatizing immigration reform advocates and expressed the need for English-speakers to accept Latino culture.
"If Richard Rodriguez could succeed in education given his obstacles," they reasoned, "why can’t the rest of you?" More than this, Rodriguez’s notoriety grew nationwide as certain education and literary think tanks began to vigorously advocate his viewpoints. Today he enjoys near super-star status and has become somewhat of a cultural icon of intra-culture resistance.
The major tenets to Rodriguez’s arguments, particularly in Hunger of Memory, are essentially based on the assimilation/acculturation model, which, for Rodriguez, is itself heavily based on one primary notion: that language is a conduit of social power. But perhaps Rodriguez’s most striking ideas center around public identity, and from his belief that its development is fostered through the mastery of academic English. To that end, Rodriguez strongly contends that Bilingual Education, in particular, denies Latino students this very public identity. The main premise to this argument is that by delaying English, Bilingual Education negatively affects the Spanish-speaking child. According to Rodriguez, children have an obligation to learn America’s "great lesson of school," which is that we each belong to a pluralistic society and therefore assume a "public identity" through a common language. Rodriguez outlines the general claims of Bilingual Education in the following passages:
1.) "Children permitted to use their family language in school will not be so alienated and will be better able to match the progress of English-speaking children in the crucial first months of instruction."
2.) "…that children who use their family language in school will retain a sense of their individuality—their ethnic heritage and cultural ties."
Accordingly, Rodriguez also outlines Bilingual Education’s contradictions as well: "that one can become a public person while still remaining a private person. At the very same time one can be both! There need be no tension between the self in the crowd and the self apart from the crowd! Who would not want to believe in such an idea? Who can be surprised that the scheme has won the support of many middle-class Americans? If the barrio or ghetto child can retain his separateness even while being publicly educated, then it is almost possible to believe that there is no private cost to be paid for public success."
While Latino immigrant students today may not be afforded the luxury of developing a ‘public identity’ early on through language, Rodriguez’s schooling seems to have offered him just that. In fact, Hunger of Memory details a schooling experience that is, for all intents and purposes, fraught with middle-class privilege: "Perhaps because I have always, accidentally, been a classmate to children of rich parents, I long ago came
to assume my association with their world." Young Richard’s early middle-class associations come by way of his parents, whose "optimism and ambition led them to a house (our home) many blocks from the Mexican south side of town. We lived among gringos and only one block from the biggest, whitest houses."
Rodriguez’s upbringing demonstrates how certain environment-based variables—-ones typically absent in working-class Latinos—-are clearly at work during his formative years. And this is precisely how Rodriguez’s argumentative assumptions become somewhat compromised insofar as he fails to fully account for these advantages. That is, although he plainly states in Hunger of Memory that his autobiography is not a "model" of the "typical Hispanic-American life," he nonetheless goes on to propose far-reaching changes in Bilingual Education and Affirmative Action based solely on the outcomes and results of his own personal childhood—-an upbringing that neither reflects or matches the circumstances of those Latinos for whom his critique is aimed. Indeed, he openly admits this contradiction: "An accident in geography sent me to school where all my classmates were white, many of the children of doctors and lawyers and business executives." But it was precisely his parent's ‘aristocratic’ tendencies that created the atypical thrust to live ‘among gringos.’ This influence apparently had far reaching implications for the young and impressionable Richard, and even included complicated formulas of etiquette: "In their manner, both my parents continued to respect the symbols of what they considered to be upper-class life. Very early, they taught me the propia way of eating como los ricos. And I was carefully taught elaborate formulas of polite greeting and parting." The ‘symbols’ of ‘upper-class life’ become thoroughly ingrained in young Richard, and he learns to esteem and assume (as natural) the precepts of a middle-class ‘public identity’—which not only includes language (English), but eventually money and social status, as the following passage suggests: "I wanted to go to college at Stanford, attracted partly by its academic reputation, partly because it was the school rich people went to"….
Although Rodriguez may appear at times to assert a contrary claim—of having come from a "socially disadvantaged" childhood—disadvantaged for Rodriguez represents in actuality more of a linguistic rather than economic hardship: "One day in school I raised my hand to volunteer an answer. I spoke out in a loud voice…. That day I moved very far from the disadvantaged child I had been only days earlier." Thus, Rodriguez’s later arguments against Bilingual Education and Affirmative Action correspondingly center around this notion of having transcended disadvantage: "I was not really more socially disadvantaged than the white graduate students in my classes…. I was not disadvantaged like many of the new nonwhite students who were entering college, lacking good early schooling."
To be sure, young Richard's ‘good early schooling’ is unlike many Latino students, even by today’s standards. But this is precisely the danger of applying Rodriguez’s autobiography as a measurative and ‘representative case study’ of Latino achievement. Simply put, young Richard’s success was the result of a multitude of factors involving far more than mere language acquisition alone. It was instead the combination of 1.) upper-class leaning parents, 2.) a middle-class neighborhood, and 3.) a middle-class parochial school setting. These factors together worked to produce Rodriguez’s rather remarkable educational experience that, when compared to Latino achievement as a whole in California, is atypical in nature. Wealth, power, and upward mobility are thus the principal—-yet unacknowledged—-stimuli to young Richard’s success.
Rodriguez wrote a
Newshour with Jim Lehrer essay entitled '"Soy Indio", in which he states that, on a trip to Mexico, he astonished VIPs by being well spoken and well dressed but having dark skin and
Indio facial features. He also said that had he grown up in Mexico, he would have been denied a good education and good jobs, but in the U.S., he was allowed onto the first steps of the ladder and had the ability to climb the rest of the way.
Browning of America
The
'Browning of America' may seem like a phrase coined by Rodriguez to describe an increase in the mixing of
cultural,
racial, and
ethnic identities in the
United States during the late 20th and early 21st century, but the term was in use long before his 2001 book entitled
Brown: The Last Discovery of America. For Rodriguez the phrase has to do more with the color
brown as a symbol of
mélange in the United States or specifically an increase in its
bi- or even tri-racial subgroups. The phrase is commonly applied to the current
demographic shift towards a higher proportion of
minorites in the total population in the United States. It can be used neutrally as a name for the current demographic shift in the United States, but has also been appropriated by organized groups on both the
left and the
right. The far right evokes the phrase generally as a minority-based usurping of customary or assumed White privilege, while the far left hails it as a welcomed rethinking and/or accountability of deep-seated notions of White 'normativity.'
Rodriguez's original ideas are further explored in his 2002 collection of essays entitled
Brown: The Last Discovery of America, which was a finalist for the
National Book Critics Award.